John Toth
Intermedia. Hypermedia and the Sublime.

   
 

The Return Of The Cadavre Exquis

 

Ray Rapp

Ed Sobola

John Toth

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red end The Return Of The Cadavre Exquis
press-ed curated by  L. Titzer and I. Schaffner, revists an idea started by the Dada artists at the turn of the century.

The Drawing Center
35 Wooster Street, New York, NY 10013
Tel: 212-219-2166
Fax: 212-966-2976
Email: info@drawingcenter.org

The Return of the Cadavre Exquis
By Charles Simic, Mary Ann Caws, and guest curator Ingrid Schaffner.
The Drawing Center 1994; 84 pp; 37 ill. $15.00 ($12.00 members)

Collaborators John Toth, Ed Sobola and Ray Rapp pioneer digital media to an analog method.  

(Proposal)  (Artworks)  (Reviews)

compressed

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openings

 This show travelled to:
The Corcoran Gallery of Art, Washington, DC,
Fundacion para el Arte Contemporaneo, Mexico City,
Santa Monica Museum of Art, Santa Monica, CA and
The Forum For Contemporary Art, St. Louis, MO.

 

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Santa Monica Museum of Art, Santa Monica, CA

THE RETURN OF THE CADAVRE EXQUIS
July 9–September 6, 1994

This presentation of collaborative drawings by
internationally known and emerging contemporary artists
was based on the Surrealist parlor game cadavre exquis, in
which several artists participate in creating a single drawing.
Completed in serial fashion, with each part folded to
obscure the previous artist's rendering, these drawings
contain surprises and revelations that arise from the artists'
different styles and working processes. Organized by The
Drawing Center in New York City, this project and exhibition
presented collaborative drawings by two hundred artists
living around the world and working in a variety of media,
including Ida Applebroog, George Baselitz, Chuck Close,
Karen Finley, Jenny Holzer, Matt Mullican, Betye Saar, Jim
Shaw, Art Spiegelman, Megan Williams and John Toth.

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